Outdated Bollywood songs are a treasure trove for each temper, each event, each relationship-Leisure Information , Firstpost

When the going will get robust, we flip to our favorite responsible pleasures. However when leisure is worried, is there even any guilt to what provides one pleasure? In our new collection Pleasure With out Guilt, we take a look at pop choices which have been dissed by the tradition police however proceed to endure as beacons of unadulterated pleasure.

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The one lullaby that my mom crooned me to sleep after I was an toddler was ‘Mere Ghar Aayi Ek Nanhi Pari,’ a tune from Yash Chopra’s 1976 movie Kabhi Kabhie. Years later, after I left dwelling for school and couldn’t sleep within the unusual new environment for the primary few nights, I’d hearken to the Lata Mangeshkar tune on earphones and very quickly, can be loud night breathing peacefully.

We’re a household of 5. We’re as totally different because the members of any household are. The one factor that unites us all is music. Albeit in our other ways, all of us search refuge in it, get impressed from it, discover solutions and pleasure in it. Our private style in music differs however all of us love outdated Bollywood songs. My siblings and I have grown up listening to them endlessly, because of our mother and father, who’re ardent admirers.

For us youngsters, first got here the songs. The movies adopted a lot later. Whether or not it’s raining or a household get-together or a weekend or we’re touring or killing time throughout a power-cut, we at all times invariably discover ourselves turning to outdated Hindi film songs. Thus far, we, as a household, are invincible at antaksharis.

I bear in mind, even after I was as younger as 5 years outdated, I might sing phrase for phrase a number of of Mangeshkar, Mohammad Rafi, Kishore Kumar, RD Burman, and Asha Bhosle songs. I didn’t know what they meant, which motion pictures they have been from, or who acted in them, however I knew them by coronary heart.

I can always remember a cousin’s pre-wedding celebration. We have been on the terrace sitting round a bonfire and taking part in pass-the-parcel. Once I received out, I used to be requested to inform how I felt in regards to the particular person sitting to my proper by way of a tune. To my proper sat a distant, a lot older cousin brother, somebody I had a reverential attachment for. We shared a proper however shut bond. Rising up, he’d nurtured me in his quiet, unassuming methods. He at all times made himself obtainable and prolonged assist every time I wanted it, even when it was tough or inconvenient for him. However I by no means received an opportunity to thank him for his many kindnesses. In order that chilly January night time three years in the past, I checked out him and sang, “Tera mujhse hai pehle ka naata koi, yu hello nahi dil lubhaata koi. Jaane tu ya jaane na, maane tu, yaa maane naa.” Once I was carried out, I noticed his eyes moisten. All people round us fell silent. He received up, and did one thing he had by no means carried out earlier than — he hugged me.

Once I was in Delhi throughout my early journalistic profession, I used to be usually placed on late-night shifts. Everybody who left the workplace after 11 PM received a cab experience dwelling. Typically, in the course of the lengthy commute, the cab would fill with melodies from an period lengthy gone, courtesy late-night radio. One time, a senior illustrator, a identified connoisseur of outdated Bollywood music, was sitting within the entrance. Madhubala’s ‘Aaiye Meherbaan’ was taking part in on the radio. Listening to it, he lamented how the youthful technology knew little about our viraasat, and what a tragedy it was.

To drive dwelling his level, he subsequent requested if anybody within the cab knew which movie the enduring tune was from. Nobody stated something. He was about to launch into one other tirade after I, sitting proper behind him, stated, “Howrah Bridge.” He circled. And smiled. He requested me my identify and the group I used to be from. The following afternoon, he got here to my desk and stated hi there. From then on, it grew to become a ritual. If we have been in the identical cab, he would ask me a few tune taking part in on the FM. That may launch us right into a spirited, nostalgic dialog. We might focus on unheard tales, trivia, our favourites, and whatnot. These midnight chats with him, coupled with the heartwarming melodies that performed within the background, made these rides again dwelling a tad much less dreary and much more enjoyable.

Once I had simply began relationship my boyfriend, the power between us was electrifying. We have been a few month into the connection, and we’d barely held fingers. I knew he was ready for a cue from me however I didn’t know learn how to go about it. So I made a playlist. The following time we went on a drive, after about half an hour, I put it on. First performed ‘Dekha Ek Khwaab’ from Yash Chopra’s 1981 movie Silsila. Subsequent adopted ‘Kya Ghazab Karte Ho Ji’ from Kumar Gaurav’s 1981 movie Love Story. By the point ‘Bahon Mein Chale Aao’ from Jaya Bachchan’s 1973 movie Anamika got here on, he’d stopped the automobile and was grinning from ear to ear.

I do know numerous individuals who, very similar to Rahul Khanna’s character in Wake Up Sid, look down upon outdated Bollywood songs and the individuals who hearken to them. They discover it too massy, too populist. Nevertheless, I, very similar to Konkona Sensharma’s character, love them, not simply because they’re straightforward to sing and relatable, but in addition as a result of they’re extremely therapeutic and poetic. Jazz and The Beatles are all nice however nothing compares to taking part in Lamhe’s ‘Megha Re Megha’ each time it rains or Julie’s ‘Ye Raatein Nayi Purani’ within the weeks main as much as the brand new yr.

Learn extra from the Pleasure With out Guilt collection right here.

When not studying books or watching movies, Sneha Bengani writes about them. She tweets at @benganiwrites.